The work of Portishead co-founder the musician-producer, this sharp-edged if undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David kills his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film releases in British and Irish theaters from November 17.
